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    <loc>https://www.louislisle.com/10-design</loc>
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    <lastmod>2020-02-22</lastmod>
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    <loc>https://www.louislisle.com/modelmaking</loc>
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    <lastmod>2020-07-04</lastmod>
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      <image:title>Model Making - From Leith (2020)</image:title>
      <image:caption>Mixed media including basal wood, corrugated cardboard, frosted film, reflective paper, tracing paper, sandpaper and spray paints, size varied, Located in 10 Design.</image:caption>
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      <image:title>Model Making</image:title>
      <image:caption>Untitled, mixed media including; paper, wood, metal rods, rug lining, metal gauze, ready mixed plaster, oil, acrylic and spray paints. Dimensions variable, approximately 25 cmx30cmx 40cm. Located in F01, Edinburgh College of Art</image:caption>
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      <image:title>Model Making</image:title>
      <image:caption>Untitled, mixed media including; paper, wood, metal rods, rug lining, metal gauze, ready mixed plaster, oil, acrylic and spray paints. Dimensions variable, approximately 40cmx 60cmx 30cm. Located in F01</image:caption>
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      <image:title>Model Making</image:title>
      <image:caption>Untitled, mixed media including; paper, wood, metal rods, rug lining, metal gauze, ready mixed plaster, oil, acrylic and spray paints. Dimensions variable, approximately 40cm x 40cm Located in F01</image:caption>
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      <image:title>Model Making</image:title>
      <image:caption>Untitled, mixed media including; paper, wood, metal rods, rug lining, metal gauze, ready mixed plaster, oil, acrylic and spray paints. Dimensions variable, approximately 30cmx30cmx 20cm. Located in F01</image:caption>
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      <image:title>Model Making</image:title>
      <image:caption>Untitled, mixed media including; paper, wood, metal rods, rug lining, metal gauze, ready mixed plaster, oil, acrylic and spray paints and tape. Dimensions variable, approximately 60 cmx 120 cmx 20cm. Located in F01</image:caption>
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      <image:title>Model Making</image:title>
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  <url>
    <loc>https://www.louislisle.com/yuno</loc>
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    <priority>0.75</priority>
    <lastmod>2020-02-22</lastmod>
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      <image:title>Y_UNO</image:title>
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      <image:title>Y_UNO</image:title>
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  <url>
    <loc>https://www.louislisle.com/tokentowers</loc>
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    <lastmod>2020-10-23</lastmod>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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      <image:title>Token Towers</image:title>
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  <url>
    <loc>https://www.louislisle.com/2020</loc>
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    <lastmod>2021-02-18</lastmod>
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      <image:title>2020 - Paradigm Lux</image:title>
      <image:caption>Paradigm Lux, 2020, Tent Gallery, Edinburgh Paradigm Lux is a collaborative exhibition combining the thoughts and practices of Louis Lisle and Timothy Betton. Together, we have responded to the transitional nature of the materials and processes tat govern the urban environment. The installation features a combination of materials from constructions site, metal and debris netting and projections. Projecting video through theses materials creates a function of how the material is used. Usually, these materials conceal, we want them to reveal. The juxtaposition between the hard materials and translucent sculptures serves as a metaphor for the transient relationship between art and architecture. The projections are concerned with the forensic display and performance of lines shape, colour and space being intersected, interfered and interjected. It is important that the video visually create an illusion of familiarity but simultaneously the viewer questions the space they occupy, thus creating a paradigm.</image:caption>
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    <image:image>
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      <image:title>2020 - Paradigm Lux</image:title>
      <image:caption>Paradigm Lux, 2020, Tent Gallery, Edinburgh Paradigm Lux is a collaborative exhibition combining the thoughts and practices of Louis Lisle and Timothy Betton. Together, we have responded to the transitional nature of the materials and processes tat govern the urban environment. The installation features a combination of materials from constructions site, metal and debris netting and projections. Projecting video through theses materials creates a function of how the material is used. Usually, these materials conceal, we want them to reveal. The juxtaposition between the hard materials and translucent sculptures serves as a metaphor for the transient relationship between art and architecture. The projections are concerned with the forensic display and performance of lines shape, colour and space being intersected, interfered and interjected. It is important that the video visually create an illusion of familiarity but simultaneously the viewer questions the space they occupy, thus creating a paradigm.</image:caption>
    </image:image>
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      <image:title>2020</image:title>
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      <image:title>2020</image:title>
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      <image:title>2020</image:title>
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      <image:title>2020</image:title>
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      <image:title>2020</image:title>
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      <image:title>2020</image:title>
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      <image:title>2020</image:title>
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  <url>
    <loc>https://www.louislisle.com/making-art-in-a-school</loc>
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    <priority>0.75</priority>
    <lastmod>2020-02-22</lastmod>
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      <image:title>Making Art in a School - The Firework Tent</image:title>
      <image:caption>The Firework Tent was work that was made in direct response to the work produced by pupils of class 4B at Dunbar Primary School on the 5th November 2018. The school provided our group a brief that activities we teach the children have some relevance to an “Eco Warrior” theme. In response to the brief we decided to produce work using discarded fabrics and other waste materials to create art work. Since our day in the school was on Bonfire Night, we thought it be exciting for the children to create work that is based on the colours and structures of fireworks. In our own research into the identity of “eco warriors” we were intrigued by the methods used by “eco warriors” in peaceful protests. Discovering that many protesters camp within areas of the environment that they believe should be protected we concluded we would make a tent or shelter that is reflective of this form of environmental protest. My own role within the project was to teach the children basic methods of relief printing. Using corks, old toilet role tubes, lollypop sticks, and lino-cut stamps I encouraged the children create their own firework display using the techniques I have taught them. The children also were taught Embroidery, Drawing, Weaving and Tie Dying. We gathered all the work produced and used them to create a shelter that is similar to a patch work blanket. The Firework Tent was a part of a collaborative exhibition “The Eco Warriors of Dunbar “ with other groups from Edinburgh Collage of Art in West Barns Studio in Dunbar. Medium: Cotton Bed sheets, fabric Dye, embroidery using muslin and wool, prints using poster paints on black and white paper, Drawings that used charcoal, pro makers, oil pastels, chalk pastels, crayons and pencils, Weaving using carpet underlay and plastic bags and fabrics. Dimensions: 158 cmx138cm Location and Date Installed: West Barns Studios, 5th March 2019 By Louis Lisle, Rebecca Nipps, Keira Saunders and Meredith Mack</image:caption>
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      <image:title>Making Art in a School - The Firework Tent</image:title>
      <image:caption>The Firework Tent was work that was made in direct response to the work produced by pupils of class 4B at Dunbar Primary School on the 5th November 2018. The school provided our group a brief that activities we teach the children have some relevance to an “Eco Warrior” theme. In response to the brief we decided to produce work using discarded fabrics and other waste materials to create art work. Since our day in the school was on Bonfire Night, we thought it be exciting for the children to create work that is based on the colours and structures of fireworks. In our own research into the identity of “eco warriors” we were intrigued by the methods used by “eco warriors” in peaceful protests. Discovering that many protesters camp within areas of the environment that they believe should be protected we concluded we would make a tent or shelter that is reflective of this form of environmental protest. My own role within the project was to teach the children basic methods of relief printing. Using corks, old toilet role tubes, lollypop sticks, and lino-cut stamps I encouraged the children create their own firework display using the techniques I have taught them. The children also were taught Embroidery, Drawing, Weaving and Tie Dying. We gathered all the work produced and used them to create a shelter that is similar to a patch work blanket. The Firework Tent was a part of a collaborative exhibition “The Eco Warriors of Dunbar “ with other groups from Edinburgh Collage of Art in West Barns Studio in Dunbar. Medium: Cotton Bed sheets, fabric Dye, embroidery using muslin and wool, prints using poster paints on black and white paper, Drawings that used charcoal, pro makers, oil pastels, chalk pastels, crayons and pencils, Weaving using carpet underlay and plastic bags and fabrics. Dimensions: 158 cmx138cm Location and Date Installed: West Barns Studios, 5th March 2019 By Louis Lisle, Rebecca Nipps, Keira Saunders and Meredith Mack</image:caption>
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      <image:title>Making Art in a School</image:title>
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  <url>
    <loc>https://www.louislisle.com/untitled-1</loc>
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    <lastmod>2020-02-21</lastmod>
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  <url>
    <loc>https://www.louislisle.com/freshwhaleflesh</loc>
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    <lastmod>2020-07-04</lastmod>
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    <lastmod>2020-10-23</lastmod>
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    <lastmod>2020-10-25</lastmod>
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      <image:caption>The cancellation of the Degree Show, due to COVID-19 lock-down, forced me to create a proposal for a physical Degree Show. Backbone is a collection objects and paintings that represent my artistic practice in my final year at Edinburgh College of Art. This collection of work embodies an unfinished, even ugly aesthetic present itself as more ambiguous, intriguing and open ended than perfectly resolved, ’finalised‘ piece of work. Through research I found, construction sites share this atmospheric– they are locations that physically represent the idea of shift and flux, of ‘non-places’ which are not fully functional. They are the “Backbone” that underpins urban advancement, but are also ever changing and impermanent, serving as motifs which mirror how we experience and behave in an ever-changing physical world. My work embodies an awkward aesthetic as I balance the creation of finished and unfinished forms and structures. I often juxtapose the traditional use of building materials: such as plaster, concrete, tape &amp; netting, with the use of mundane &amp; low-tech materials: paper, canvas and papier Mache. This results in encounters where I have taken materials which have a very functional role and twisted them into something futile. The ways in which materials are utilised to construct buildings present themselves as rich juxtapositions of incident and structure. This has led me to produce a series of paintings, drawings and objects that mimic the raw materiality of construction sites and create scenarios which are visually confusing and difficult to navigate through. It is this idea of claustrophobic confusion that lies at the heart of my work. Ultimately this leads to the work being presented with both control and order, chaos and chance. The aim is to capture construction as a Utopian drive for something that will exist, but will never be ‘fixed’. In addition, my work seeks to prompt reflection on wider impacts of building - What is being built, and why? Who will it benefit? Myself &amp; my community or private real estate elites? What are the consequences of this?</image:caption>
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      <image:title>Backbone - Backbone</image:title>
      <image:caption>The cancellation of the Degree Show, due to COVID-19 lock-down, forced me to create a proposal for a physical Degree Show. Backbone is a collection objects and paintings that represent my artistic practice in my final year at Edinburgh College of Art. This collection of work embodies an unfinished, even ugly aesthetic present itself as more ambiguous, intriguing and open ended than perfectly resolved, ’finalised‘ piece of work. Through research I found, construction sites share this atmospheric– they are locations that physically represent the idea of shift and flux, of ‘non-places’ which are not fully functional. They are the “Backbone” that underpins urban advancement, but are also ever changing and impermanent, serving as motifs which mirror how we experience and behave in an ever-changing physical world. My work embodies an awkward aesthetic as I balance the creation of finished and unfinished forms and structures. I often juxtapose the traditional use of building materials: such as plaster, concrete, tape &amp; netting, with the use of mundane &amp; low-tech materials: paper, canvas and papier Mache. This results in encounters where I have taken materials which have a very functional role and twisted them into something futile. The ways in which materials are utilised to construct buildings present themselves as rich juxtapositions of incident and structure. This has led me to produce a series of paintings, drawings and objects that mimic the raw materiality of construction sites and create scenarios which are visually confusing and difficult to navigate through. It is this idea of claustrophobic confusion that lies at the heart of my work. Ultimately this leads to the work being presented with both control and order, chaos and chance. The aim is to capture construction as a Utopian drive for something that will exist, but will never be ‘fixed’. In addition, my work seeks to prompt reflection on wider impacts of building - What is being built, and why? Who will it benefit? Myself &amp; my community or private real estate elites? What are the consequences of this?</image:caption>
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    <lastmod>2021-09-27</lastmod>
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      <image:caption>Oil, oil bar and charcoal on canvas</image:caption>
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      <image:title>Lockdown, Locked Up, Locked In - Untitled; Oil paint, oil bar &amp; charcoal on raw canvas, 90cm x 110cm</image:title>
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    <lastmod>2020-07-04</lastmod>
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      <image:title>Painting 2020 - Untitled, (2020)  mixed media, , canvas, ready mixed plaster, paper Mache, oil paints and cartridge paper, suspended by rachet straps Size- 90cm x 70cm</image:title>
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    <lastmod>2020-10-23</lastmod>
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    <loc>https://www.louislisle.com/the-ruse</loc>
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    <lastmod>2020-10-23</lastmod>
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      <image:caption>Book jacket design for Tadeas Cermak's The Ruse</image:caption>
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    <lastmod>2021-10-15</lastmod>
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